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how to say what you want

How to say what you want

People get put forward for things because somebody knew what they wanted. Not because saying it is impressive, but because nobody can match you to something they do not know you want.

Why hinting feels safer

Asquith described the men at his Oxford college as having a tranquil consciousness of effortless superiority. The college was famous for people working themselves into the ground, at night, with the door shut, then performing how relaxed they were all day.

The instruction was never don't be ambitious. It was be ambitious and hide it.

Most of us inherited only the first half. So wanting things out loud started to feel like a character flaw, and hinting started to feel like good manners.

The problem is that hinting works exactly as designed. It protects you from looking like you want something, and it also stops anyone acting on it.

Say the thing, not the category

Almost every version of this goes wrong in the same way. You name a category instead of a thing.

Instead of: I'm open to new opportunities.

Say: I'm looking for a content role at a company small enough that I'd be the only one doing it.

Instead of: I'd love to get more involved in that area.

Say: I want to work on the kind of thing you just described.

Instead of: Whenever the time is right.

Say: I want this by January.

Instead of: Let me know if you hear of anything.

Say: If you meet someone hiring for that, would you send them my way.

Instead of: I hope you'll keep me in mind.

Say: If something like this comes up, I'm putting my hand up.

The left column asks somebody to interpret you. The right column gives them something to do.

Spot your own hedges

The words that do the damage are small and they feel polite. Open to. Eventually. At some point. Would be interested in. If there's ever. Maybe down the line. Happy to.

Every one of them is an escape hatch, and you put it there so the ask can be withdrawn without anyone noticing. Which also means it can be ignored without anyone noticing.

Read your sentence back and delete every word whose job is to make it optional. What is left is usually shorter, and it usually sounds more confident than it felt to write.

The moment matters less than you think

People save this for the conversation where it counts. The review, the meeting with someone senior, the one chance with the person they were introduced to.

Which is the worst place for it, because in a high-stakes moment it arrives as a request and the other person has to decide something.

Said at a dinner, in a queue, in an ordinary Tuesday conversation, the same sentence is just information. It costs nobody anything, and it sits in their head for months doing its job.

Say it more than once, to more than one person

People have their own jobs and their own lives. A thing you mentioned in March has genuinely gone by September, and that is not them being dismissive. That is what happens to information nobody wrote down.

And the rooms where your name comes up are mostly rooms you are not in. If you have told one person, you are relying on that one person being present, remembering, and speaking. Three people is not three times better. It is the difference between a coin flip and a reasonable chance.

The prompt

The hard part is hearing your own hedges, because they sound normal in your head.

> I want [the specific thing]. I currently [your situation].

>

> First, tell me every word or phrase in that description that is a hedge: anything making it sound optional, deferred, or easy to ignore. Explain what each one is doing.

>

> Then give me three versions of how to say it, from least to most direct. For each, tell me what it commits me to and what it gives the other person to act on.

>

> Do not write me a script to read out. I need to say this in my own words.

The first question is the one that matters. The other two are easy once you can hear yourself.

What actually happens

Usually nothing dramatic. They say something non-committal and the conversation moves on, which feels like a failure and is not.

What has changed is that a thing now exists in somebody else's head. And the next time something comes up that matches it, you are in the room without having to be there.

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